• 20 x 20 cm, acrylic glass 2mm noframe Pentimento XIX — The Ink Dancer
  • Main image Pentimento XIX — The Ink Dancer
1 2

Salimbeni Art Gallery

Pentimento XIX — The Ink Dancer

Pentimento XIX — The Ink Dancer

£94.99 GBP
£94.99 GBP
Sale Sold out
Taxes included.
Size
Configuration

Pentimento XIX — The Ink Dancer continues the series' inquiry into the passage between generative image and material presence. A figure stands en pointe against a pale ground, her body drawn in graphite grey and her skirt flaring in translucent layers of amber, slate, and russet. Above her head, a loop of gold ink hangs like a halo half-completed — the trace of a gesture caught mid-motion. The image carries the immediacy of a watercolour study: diluted ink washes, bleeding edges, the figure held lightly against the white of the paper. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the gold line glows against the pale ground, the slate and amber passages gain translucency, and the first gesture remains visible beneath the matter that now carries it.
View full details

An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.